



The Fall/Winter 2026 menswear season has starkly demonstrated a retreat from size inclusivity, a concerning development for industry observers and consumers alike. Data analysis of shows in Milan and Paris reveals a significant decline in the presence of plus-size and mid-size models, reinforcing fears that prior commitments to diversity were superficial. This shift not only alienates a large segment of the consumer base but also highlights a potential disconnect between high fashion and societal expectations regarding diverse body representation. Critics suggest this trend mirrors broader cultural movements favoring narrow beauty standards, prompting a call for consumers to support brands that genuinely embrace inclusivity.
The Fall/Winter 2026 menswear collections have brought to light a significant regression in size inclusivity, marking a concerning trend within the fashion industry. After a notable decrease in the Spring/Summer 2026 season, the most recent data confirms this is not an isolated incident but part of a sustained decline. An extensive analysis of 55 runway shows and presentations in Milan and Paris revealed that out of over 2,500 featured looks, an alarmingly low percentage—only 0.2%—were showcased on plus-size models, a reduction from the previous season's 0.3%. Similarly, mid-size representation dwindled to 0.8%, down from 1.2% previously, and a substantial drop from 4.8% in earlier seasons. Conversely, the prevalence of straight-size looks surged to 99%, an increase from 98.5% the season prior. This overwhelming dominance of straight-size models raises critical questions about the industry's commitment to reflecting diverse body types.
This striking lack of diversity has prompted strong reactions from fashion critics and industry insiders. Many expressed disappointment at the noticeable return to an ultra-thin aesthetic, with some designers casting models described as "very skinny" once again. The sentiment among commentators is that such practices indicate a detachment from the reality of the consumer market, where diverse body shapes are the norm rather than the exception. While some shows did feature older male models, they too predominantly maintained a lean physique, underscoring the narrow scope of acceptable body types on display. Experts warn that for fashion to maintain its relevance and connection with a broader audience, it must move beyond aspirational and safe images of the male body and genuinely embrace a variety of sizes and shapes. The current trend suggests a step backward, challenging the industry's role in promoting healthy and inclusive beauty standards.
The observed decline in size inclusivity is seen by many industry commentators as a reflection of a broader retreat from diversity commitments that were largely performative rather than deeply ingrained. This abandonment of efforts to include a wider range of body shapes is particularly evident in the men's season, where such initiatives never gained substantial traction. Experts link this regression to current societal and political shifts, including the rise of problematic beauty standards and trends like the "Ozempic-demic," which tend to ripple through the fashion industry. The lack of accountability within brands to uphold diversity pledges, once made in response to public scrutiny or "PR crises," is now starkly apparent in a "post-woke era," where brands feel less compelled to enact changes they don't genuinely embrace. This systemic issue transcends individual casting choices, pointing to a deeper reluctance to genuinely evolve the industry's practices.
While Milan presented no plus-size or mid-size models, Paris fared only marginally better, with a mere seven out of 39 shows featuring any non-straight-size models. In total, 98.5% of Parisian runway looks were on straight-size models, with mid-size models accounting for 1.1% and plus-size models a mere 0.3%. Notably, only Feng Chen Wang and 3.Paradis demonstrated a more inclusive approach, with over 10% of their looks on non-straight-size models. Feng Chen Wang emphasized the importance of designing for real customers, acknowledging that body sizes vary and collections should flatter diverse shapes. In an age where fashion shows are instantly accessible across social platforms, the stakes extend beyond insider critique, speaking directly to consumers. Given this dynamic, commentators like Louis Pisano suggest that leverage now rests with audiences, urging consumers to consciously avoid supporting brands that fail to represent and cater to them. This call to action emphasizes the power of consumer choice in driving meaningful change within an industry that appears resistant to genuine transformation.