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The structure is meticulously constructed from salvaged metal profiles of various dimensions, each meticulously repainted in a bold and almost extravagant array of colors. These hues range from vibrant acid greens and electric blues to serene teals and sophisticated greys. A total of twenty-four pieces are artfully arranged around a slightly off-center column, lending an intriguing sense of imbalance to the otherwise geometric layout. Profiles of the same color are never placed adjacently, instead forming intricate knots rather than simple intersections. This three-dimensional grid subtly echoes the influences of Superstudio's Supersurface and evokes the formal logic of Eisenman's work.
The interior perimeter of the metal framework is entirely lined with mirrors. This strategic placement causes the twenty-four structural elements to be endlessly replicated, projecting a spatial experience that transcends the physical limits of the stand. Throughout the fair, books, attendees, and even the nearby park are continuously absorbed and reflected, giving the impression of infinitely receding shelves filled with architectural texts, while adjacent booths appear inverted and suspended within the reflections. What initially presents as a modest enclosure surprisingly conveys an extraordinary sense of depth.
The vibrant color scheme, developed in conjunction with Fala Atelier's other projects, might seem like an accidental choice. However, these colors discovered an unexpected harmony with the peacocks freely roaming the adjacent park. As these birds pass by, the installation momentarily synchronizes with its surroundings, creating an impression that the designed and the natural elements were deliberately orchestrated.